taṁ nartum udyatam avekṣya tadā tadīya-
gandharva-siddha-muni-cāraṇa-deva-vadhvaḥ
prītyā mṛdaṅga-paṇavānaka-vādya-gīta-
puṣpopahāra-nutibhiḥ sahasopaseduḥ
tam - Him; nartum - in dancing; udyatam - engaged; avekṣya - taking note of; tadā - then; tadīya - His servants; gandharva-siddha - the Gandharvas and Siddhas; muni-cāraṇa - the sages and the Cāraṇas; deva-vadhvaḥ - the wives of the demigods; prītyā - with great pleasure; mṛdaṅga-paṇava-ānaka - of various kinds of drums; vādya - with musical accompaniment; gīta - song; puṣpa - flowers; upahāra - other presentations; nutibhiḥ - and prayers; sahasā - immediately; upaseduḥ - arrived.
When the demigods and other residents of higher planetary systems became aware that Lord Śrī Kṛṣṇa was personally putting on a wonderful demonstration of the art of dancing, they immediately came to offer their services. Dancing becomes more enjoyable and beautiful to watch when it is accompanied by expert drum-playing, singing and the chanting of prayers. The artistic atmosphere was also enhanced by the showering of a multitude of flowers upon Lord Śrī Kṛṣṇa, who was blissfully engaged in dancing upon the hoods of the Kāliya serpent.