evaá¹ paribhrama-hataujasam unnatÄá¹sam
Änamya tat-pá¹›thu-Å›iraḥsv adhirÅ«á¸ha Ädyaḥ
tan-mÅ«rdha-ratna-nikara-sparÅ›Äti-tÄmra-
pÄdÄmbujo 'khila-kalÄdi-gurur nanarta

 evam - in this way; paribhrama - because of the Lord's moving around him; hata - spoiled; ojasam - whose strength; unnata - raised high; aá¹sam - whose shoulders; Änamya - making him bend down; tat - his; pá¹›thu-Å›iraḥsu - onto the broad heads; adhirÅ«á¸haḥ - having climbed up; Ädyaḥ - the ultimate origin of everything; tat - his; mÅ«rdha - on the heads; ratna-nikara - the numerous jewels; sparÅ›a - because of touching; ati-tÄmra - very much reddened; pÄda-ambujaḥ - whose lotus feet; akhila-kalÄ - of all arts; Ädi-guruḥ - the original spiritual master; nanarta - began to dance.


Text

Having severely depleted the serpent’s strength with His relentless circling, ÅšrÄ« Kṛṣṇa, the origin of everything, pushed down KÄliya’s raised shoulders and mounted his broad serpentine heads. Thus Lord ÅšrÄ« Kṛṣṇa, the original master of all fine arts, began to dance, His lotus feet deeply reddened by the touch of the numerous jewels upon the serpent’s heads.

Purport

ÅšrÄ« Hari-vaá¹Å›a states, Å›iraḥ sa kṛṣṇo jagrÄha sva-hastenÄvanamya: “Kṛṣṇa grabbed KÄliya’s head with His hand and forced it to bow down.†Most people in this world are quite reluctant to bow down to the Supreme Person, the Absolute Truth. In the contaminated state called material consciousness, we conditioned souls become proud of our insignificant position and are thus reluctant to bow our heads before the Lord. Yet just as Lord Kṛṣṇa forcibly pushed KÄliya’s heads down and thus defeated him, the Supreme Lord’s energy in the form of irresistible time kills all conditioned souls and thus forces them to bow down their arrogant heads. We should therefore give up the artificial position of material life and become faithful servants of the Supreme Lord, enthusiastically bowing down at His lotus feet.

ÅšrÄ«la ViÅ›vanÄtha CakravartÄ« ṬhÄkura explains that Lord Kṛṣṇa’s lotus feet became red like copper because of their contact with the numerous hard jewels upon the heads of KÄliya. Lord Kṛṣṇa, with those glowing reddish feet, then began to demonstrate His artistic skill by dancing on the unsteady, moving surface of the serpent’s hoods. This extraordinary demonstration of dancing skill was meant for the pleasure of the young women of Vá¹›ndÄvana, who at this phase of their relationship with Kṛṣṇa were seriously falling in love with Him.