aá¹£á¹a 'sÄttvika', hará¹£Ädi 'vyabhicÄrÄ«' yÄá¹…ra
'sahaja prema', vimÅ›ati 'bhÄva'-alaá¹…kÄra
2 times this text was mentioned in purports to other texts: CC(2)
aá¹£á¹a - eight; sÄttvika - transcendental symptoms; hará¹£a-Ädi - like jubilation; vyabhicÄrÄ« - distinctive features; yÄá¹…ra - of whose; sahaja prema - natural love; vimÅ›ati - twenty; bhÄva - of ecstasy; alaá¹…kÄra - ornaments.
“The transcendental ornaments of ÅšrÄ«matÄ« RÄdhÄrÄṇī’s body include the eight sÄttvikas, or transcendental symptoms, the thirty-three vyabhicÄrÄ«-bhÄvas, beginning with hará¹£a, or jubilation in natural love, and the twenty bhÄvas, or ecstatic emotional ornaments.
The thirty-three vyabhicÄrÄ«-bhÄvas, bodily symptoms manifest in ecstatic love, are as follows: (1) nirveda, indifference; (2) viá¹£Äda, moroseness; (3) dainya, meekness; (4) glÄni, a feeling that one is in a faulty position; (5) Å›rama, fatigue; (6) mada, madness; (7) garva, pride; (8) Å›aá¹…kÄ, doubt; (9) trÄsa, shock; (10) Ävega, intense emotion; (11) unmÄda, craziness; (12) apasmÄra, forgetfulness; (13) vyÄdhi, disease; (14) moha, bewilderment; (15) má¹›ti, death; (16) Älasya, laziness; (17) jÄá¸ya, invalidity; (18) vrÄ«á¸Ä, shame; (19) avahitthÄ, concealment; (20) smá¹›ti, remembrance; (21) vitarka, argument; (22) cintÄ, contemplation; (23) mati, attention; (24) dhá¹›ti, forbearance; (25) hará¹£a, jubilation; (26) autsukya, eagerness; (27) augrya, violence; (28) amará¹£a, anger; (29) asÅ«yÄ, jealousy; (30) cÄpalya, impudence; (31) nidrÄ, sleep; (32) supti, deep sleep, and (33) prabodha, awakening.
