śrī-śuka uvāca
sukhaḿ sva-puryāḿ nivasan
dvārakāyāḿ śriyaḥ patiḥ
sarva-sampat-samṛddhāyāḿ
juṣṭāyāḿ vṛṣṇi-puńgavaiḥ
strībhiś cottama-veṣābhir
nava-yauvana-kāntibhiḥ
kandukādibhir harmyeṣu
krīḍantībhis taḍid-dyubhiḥ
nityaḿ sańkula-mārgāyāḿ
mada-cyudbhir matań-gajaiḥ
sv-alańkṛtair bhaṭair aśvai
rathaiś ca kanakojjvalaiḥ
udyānopavanāḍhyāyāḿ
puṣpita-druma-rājiṣu
nirviśad-bhṛńga-vihagair
nāditāyāḿ samantataḥ
reme ṣoḍaśa-sāhasra-
patnīnāḿ eka-vallabhaḥ
tāvad vicitra-rūpo 'sau
tad-geheṣu maharddhiṣu
protphullotpala-kahlāra-
kumudāmbhoja-reṇubhiḥ
vāsitāmala-toyeṣu
kūjad-dvija-kuleṣu ca
vijahāra vigāhyāmbho
hradinīṣu mahodayaḥ
kuca-kuńkuma-liptāńgaḥ
parirabdhaś ca yoṣitām
sri-sukah uvaca -- Sukadeva Gosvami said; sukham -- happily; sva -- in His own; puryam -- city; nivasan -- residing; dvarakayam -- in Dvaraka; sriyah -- of the goddess of fortune; patih -- the master; sarva -- all; sampat -- in opulent features; samriddhayam -- which was rich; jushtayam -- populated; vrishni-pungavaih -- by the most prominent of the Vrishnis; stribhih -- by women; ca -- and; uttama -- excellent; veshabhih -- whose dress; nava -- new; yauvana -- of youth; kantibhih -- whose beauty; kanduka-adibhih -- with balls and other toys; harmyeshu -- on the rooftops; kridantibhih -- playing; tadit -- of lightning; dyubhih -- whose effulgence; nityam -- always; sankula -- crowded; margayam -- whose roads; mada-cyudbhih -- exuding mada; matam -- intoxicated; gajaih -- with elephants; su -- well; alankritaih -- ornamented; bhataih -- with foot-soldiers; asvaih -- horses; rathaih -- chariots; ca -- and; kanaka -- with gold; ujjvalaih -- brilliant; udyana -- with gardens; upavana -- and parks; adhyayam -- endowed; pushpita -- flowering; druma -- of trees; rajishu -- which had rows; nirvisat -- entering (therein); bhringa -- by bees; vihagaih -- and birds; naditayam -- filled with sound; samantatah -- on all sides; reme -- He enjoyed; shodasa -- sixteen; sahasra -- thousand; patninam -- of wives; eka -- the only; vallabhah -- beloved; tavat -- that many; vicitra -- variegated; rupah -- having personal forms; asau -- He; tat -- their; geheshu -- in the residences; maha-riddhishu -- richly furnished; protphulla -- blooming; utpala -- of water lilies; kahlara -- white lotuses; kumuda -- night-blooming lotuses; ambhoja -- and day-blooming lotuses; renubhih -- by the pollen; vasita -- made aromatic; amala -- pure; toyeshu -- in bodies of water; kujat -- cooing; dvija -- of birds; kuleshu -- where there were flocks; ca -- and; vijahara -- He sported; vigahya -- diving; ambhah -- into the water; hradinishu -- in rivers; maha-udayah -- the all-powerful Lord; kuca -- from their breasts; kunkuma -- by the red cosmetic powder; lipta -- smeared; angah -- His body; parirabdhah -- embraced; ca -- and; yoshitam -- by the women.
One rule of poetic composition practiced by Vaishnava authors is madhurena samapayet: "A literary work should conclude in a mood of special sweetness." Srila Sukadeva Gosvami, the most tasteful narrator of transcendental topics, has accordingly included in this last chapter of the Tenth Canto of Srimad-Bhagavatam a description of Lord Krishna's water sports in the attractive setting of Dvaraka, followed by the rapturous prayers of the Lord's queens.