nānopahāra balibhir

vāramukhyāḥ sahasraśaḥ

srag-gandha-vastrābharaṇair

dvija-patnyaḥ sv-alańkṛtāḥ

gāyantyaś ca stuvantaś ca

gāyakā vādya-vādakāḥ

parivārya vadhūḿ jagmuḥ

sūta-māgadha-vandinaḥ

nana -- various; upahara -- with paraphernalia of worship; balibhih -- and presents; vara-mukhyah -- prominent courtesans; sahasrasah -- by the thousands; srak -- with flower garlands; gandha -- fragrances; vastra -- clothing; abharanaih -- and jewelry; dvija -- of brahmanas; patnyah -- the wives; sv-alankritah -- well ornamented; gayantyah -- singing; ca -- and; stuvantah -- offering prayers; ca -- and; gayakah -- singers; vadya-vadakah -- instrumental musicians; parivarya -- accompanying; vadhum -- the bride; jagmuh -- went; suta -- bards; magadha -- chroniclers; vandinah -- and heralds.


Texto

Behind the bride followed thousands of prominent courtesans bearing various offerings and presents, along with well-adorned brahmanas' wives singing and reciting prayers and bearing gifts of garlands, scents, clothing and jewelry. There were also professional singers, musicians, bards, chroniclers and heralds.

Significado

Srila Visvanatha Cakravarti explains that from her own quarters up to the temple of Bhavani, Rukmini went by palanquin and thus was easily protected. Only for the last twelve to fifteen feet, from the palace to the temple area, did she go on foot, with royal bodyguards stationed outside the temple on all sides.