nānopahāra balibhir
vāramukhyāḥ sahasraśaḥ
srag-gandha-vastrābharaṇair
dvija-patnyaḥ sv-alańkṛtāḥ
gāyantyaś ca stuvantaś ca
gāyakā vādya-vādakāḥ
parivārya vadhūḿ jagmuḥ
sūta-māgadha-vandinaḥ
nana -- various; upahara -- with paraphernalia of worship; balibhih -- and presents; vara-mukhyah -- prominent courtesans; sahasrasah -- by the thousands; srak -- with flower garlands; gandha -- fragrances; vastra -- clothing; abharanaih -- and jewelry; dvija -- of brahmanas; patnyah -- the wives; sv-alankritah -- well ornamented; gayantyah -- singing; ca -- and; stuvantah -- offering prayers; ca -- and; gayakah -- singers; vadya-vadakah -- instrumental musicians; parivarya -- accompanying; vadhum -- the bride; jagmuh -- went; suta -- bards; magadha -- chroniclers; vandinah -- and heralds.
Srila Visvanatha Cakravarti explains that from her own quarters up to the temple of Bhavani, Rukmini went by palanquin and thus was easily protected. Only for the last twelve to fifteen feet, from the palace to the temple area, did she go on foot, with royal bodyguards stationed outside the temple on all sides.