padbhyāḿ viniryayau draṣṭuḿ

bhavānyāḥ pāda-pallavam

sā cānudhyāyatī samyań

mukunda-caraṇāmbujam

yata-vāń mātṛbhiḥ sārdhaḿ

sakhībhiḥ parivāritā

guptā rāja-bhaṭaiḥ śūraiḥ

sannaddhair udyatāyudhaiḥ

mṛḍańga-śańkha-paṇavās

tūrya-bheryaś ca jaghnire

padbhyam -- on foot; viniryayau -- went out; drashtum -- in order to see; bhavanyah -- of mother Bhavani; pada-pallavam -- the lotus-petal feet; sa -- she; ca -- and; anudhyayati -- meditating; samyak -- totally; mukunda -- of Krishna; carana-ambujam -- on the lotus feet; yata-vak -- maintaining silence; matribhih -- by her mothers; sardham -- accompanied; sakhibhih -- by her female companions; parivarita -- surrounded; gupta -- guarded; raja -- of the King; bhataih -- by soldiers; suraih -- valiant; sannaddhaih -- armed and ready; udyata -- upraised; ayudhaih -- with weapons; mridanga-sankha-panavah -- clay drums, conchshells and side drums; turya -- wind instruments; bheryah -- horns; ca -- and; jaghnire -- played.


Texto

Rukmini silently went out on foot to see the lotus feet of the deity Bhavani. Accompanied by her mothers and girlfriends and protected by the King's valiant soldiers, who held their upraised weapons at the ready, she simply absorbed her mind in the lotus feet of Krishna. And all the while mridangas, conchshells, panavas, horns and other instruments resounded.

Significado