prekṣāṁ kṣipantaṁ haritopalādreḥ
sandhyābhra-nīver uru-rukma-mūrdhnaḥ
ratnodadhārauṣadhi-saumanasya
vana-srajo veṇu-bhujāṅghripāṅghreḥ
prekṣām - the panorama; kṣipantam - deriding; harita - green; upala - coral; adreḥ - of the hell; sandhyā-abhra-nīveḥ - of the dress of the evening sky; uru - great; rukma - gold; mūrdhnaḥ - on the summit; ratna - jewels; udadhāra - waterfalls; auṣadhi - herbs; saumanasya - of the scenery; vana-srajaḥ - flower garland; veṇu - dress; bhuja - hands; aṅghripa - trees; aṅghreḥ - legs.
The panoramic beauty of nature, which strikes one with wonder, may be taken as a perverted reflection of the transcendental body of the Lord. One who is therefore attracted by the beauty of the Lord is no longer attracted by the beauty of material nature, although he does not minimize its beauty. In Bhagavad-gītā (2.59) it is described that one who is attracted by param, the Supreme, is no longer attracted by anything inferior.