kÄášera bhitara vÄsÄ kare, Äpane tÄáš hÄ sadÄ sphure,
anya Ĺabda nÄ deya praveĹite
Äna kathÄ nÄ Ĺune kÄáša, Äna balite bolaya Äna,
ei kášášŁášera vamĹÄŤra carite
kÄášera - the hole of the ear; bhitara - within; vÄsÄ kare - makes a residence; Äpane - personally; tÄáš hÄ - there; sadÄ - always; sphure - is prominent; anya - other; Ĺabda - sounds; nÄ - not; deya - allows; praveĹite - to enter; Äna kathÄ - other talks; nÄ - not; Ĺune - hears; kÄáša - the ear; Äna - something else; balite - to speak; bolaya - speaks; Äna - another thing; ei kášášŁášera - of Lord KášášŁáša; vamĹÄŤra - of the flute; carite - characteristics.
The vibration of KášášŁášaâs flute is always prominent in the ears of the gopÄŤs. Naturally they cannot hear anything else. Constant remembrance of the holy sound of KášášŁášaâs flute keeps them enlightened and enlivened, and they do not allow any other sound to enter their ears. Since their attention is fixed on KášášŁášaâs flute, they cannot divert their minds to any other subject. In other words, a devotee who has heard the sound of KášášŁášaâs flute forgets to talk or hear of any other subject. This vibration of KášášŁášaâs flute is represented by the Hare KášášŁáša mahÄ-mantra. A serious devotee of the Lord who chants and hears this transcendental vibration becomes so accustomed to it that he cannot divert his attention to any subject matter not related to KášášŁášaâs blissful characteristics and paraphernalia.