mā rājya-śrīr abhūt puḿsaḥ
śreyas-kāmasya māna-da
sva-janān uta bandhūn vā
na paśyati yayāndha-dṛk
ma -- may not; rajya -- royal; srih -- fortune; abhut -- arise; pumsah -- for a person; sreyah -- the real benefit of life; kamasya -- who desires; mana-da -- O giver of respect; sva-janan -- his kinsmen; uta -- even; bandhun -- his friends; va -- or; na pasyati -- he does not see; yaya -- by which (opulence); andha -- blinded; drik -- whose vision.
It is, of course, out of his deep humility that Vasudeva is berating himself, but his condemnation of opulence is in general valid. Earlier in this canto Narada Muni delivered a stinging criticism of Nalakuvara and Manigriva, two wealthy sons of Kuvera, the treasurer of heaven. Intoxicated by both pride and liquor, the two had failed to offer proper respects to Narada when he happened upon them as they sported naked in the Mandakini River with some young women. Seeing them in their shameful condition, Narada said,
na hy anyo jushato joshyan
buddhi-bhramso rajo-gunah
sri-madad abhijatyadir
yatra stri dyutam asavah
"Among all the attractions of material enjoyment, the attraction of riches bewilders one's intelligence more than having beautiful bodily features, taking birth in an aristocratic family, and being learned. When one is uneducated but falsely puffed up by wealth, the result is that one engages his wealth in enjoying wine, women and gambling." (Bhag. 10.10.8)