tāḿ deva-māyām iva dhīra-mohinīḿ
su-madhyamāḿ kuṇḍala-maṇḍitānanām
śyāmāḿ nitambārpita-ratna-mekhalāḿ
vyañjat-stanīḿ kuntala-śańkitekṣaṇām
śuci-smitāḿ bimba-phalādhara-dyuti-
śoṇāyamāna-dvija-kunda-kuḍmalām
padā calantīḿ kala-haḿsa-gāminīḿ
siñjat-kalā-nūpura-dhāma-śobhinā
vilokya vīrā mumuhuḥ samāgatā
yaśasvinas tat-kṛta-hṛc-chayārditāḥ
yāḿ vīkṣya te nṛpatayas tad udāra-hāsa-
vrīdāvaloka-hṛta-cetasa ujjhitāstrāḥ
petuḥ kṣitau gaja-rathāśva-gatā vimūḍhā
yātrā-cchalena haraye 'rpayatīḿ sva-śobhām
saivaḿ śanaiś calayatī cala-padma-kośau
prāptiḿ tadā bhagavataḥ prasamīkṣamāṇā
utsārya vāma-karajair alakān apańgaiḥ
prāptān hriyaikṣata nṛpān dadṛśe 'cyutaḿ ca
tāḿ rāja-kanyāḿ ratham ārurakṣatīḿ
jahāra kṛṣṇo dviṣatāḿ samīkṣatām
tam -- her; deva -- of the Supreme Lord; mayam -- the illusory potency; iva -- as if; dhira -- even those who are sober; mohinim -- who bewilders; su-madhyamam -- whose waist was well-formed; kundala -- with earrings; mandita -- decorated; ananam -- whose face; syamam -- uncontaminated beauty; nitamba -- on whose hips; arpita -- placed; ratna -- jewel-studded; mekhalam -- a belt; vyanjat -- budding; stanim -- whose breasts; kuntala -- of the locks of her hair; sankita -- frightened; ikshanam -- whose eyes; suci -- pure; smitam -- with a smile; bimba-phala -- like a bimba fruit; adhara -- of whose lips; dyuti -- by the glow; sonayamana -- becoming reddened; dvija -- whose teeth; kunda -- jasmine; kudmalam -- like buds; pada -- with her feet; calantim -- walking; kala-hamsa -- like that of a royal swan; gaminim -- whose gait; sinjat -- tinkling; kala -- skillfully fashioned; nupura -- of whose ankle bells; dhama -- by the effulgence; sobhina -- beautified; vilokya -- seeing; virah -- the heroes; mumuhuh -- became bewildered; samagatah -- assembled; yasasvinah -- respectable; tat -- by this; krita -- generated; hrit-saya -- by the lust; arditah -- distressed; yam -- whom; vikshya -- upon seeing; te -- these; nri-patayah -- kings; tat -- her; udara -- broad; hasa -- by the smiles; vrida -- of shyness; avaloka -- and the glances; hrita -- stolen; cetasah -- whose minds; ujjhita -- dropping; astrah -- their weapons; petuh -- they fell; kshitau -- to the ground; gaja -- on elephants; ratha -- chariots; asva -- and horses; gatah -- sitting; vimudhah -- fainting; yatra -- of the procession; chalena -- on the pretext; haraye -- to Lord Hari, Krishna; arpayatim -- who was offering; sva -- her own; sobham -- beauty; sa -- she; evam -- thus; sanaih -- slowly; calayati -- making walk; cala -- moving; padma -- of lotus flowers; kosau -- the two whorls (that is, her feet); praptim -- the arrival; tada -- then; bhagavatah -- of the Supreme Lord; prasamikshamana -- eagerly awaiting; utsarya -- pushing away; vama -- left; kara-jaih -- with the nails of her hand; alakan -- her hair; apangaih -- with sidelong glances; praptan -- those present; hriya -- with shyness; aikshata -- she looked; nripan -- at the kings; dadrise -- she saw; acyutam -- Krishna; ca -- and; tam -- her; raja-kanyam -- the King's daughter; ratham -- His chariot; arurukshatim -- who was ready to mount; jahara -- seized; krishnah -- Lord Krishna; dvishatam -- His enemies; samikshatam -- as they looked on.
According to Srila Jiva Gosvami, Rukmini was anxious that her locks of hair might impede her vision, since she was most eager to see her beloved Krishna. The nondevotees, or demons, are bewildered at seeing the opulences of the Lord and think that His potency is meant for their gross sense gratification. But Rukmini, an expansion of Krishna's internal pleasure potency, was meant for the Lord alone.
Srila Visvanatha Cakravarti quotes the following verse to describe the kind of woman known as syama:
sita-kale bhaved usno
ushna-kale tu sitala
stanau su-kathinau yasyah
sa syama parikirtita
"A woman is called syama when her breasts are very firm and when someone in her presence feels warm in the winter and cool in the summer."
Srila Visvanatha Cakravarti further points out that since the beautiful form of Rukmini is a manifestation of the Lord's internal energy, the nondevotees cannot perceive her. Thus the heroic kings assembled in Vidarbha were agitated with lust upon seeing the Lord's illusory potency, an expansion of Rukmini. In other words, no one can lust after the Lord's eternal consort, since as soon as one's mind is contaminated with lust, the covering of Maya separates one from the pristine beauty of the spiritual world and its inhabitants.
Finally, Srimati Rukmini-devi felt shy as she looked from the corners of her eyes at the other kings, for she did not want to meet the glances of those inferior men.