kunda-dāma-kṛta-kautuka-veṣo
gopa-godhana-vṛto yamunāyām
nanda-sūnur anaghe tava vatso
narma-daḥ praṇayiṇāḿ vijahāra
manda-vāyur upavāty anakūlaḿ
mānayan malayaja-sparśena
vandinas tam upadeva-gaṇā ye
vādya-gīta-balibhiḥ parivavruḥ
kunda -- of jasmine flowers; dama -- with a garland; krita -- made; kautuka -- playful; veshah -- His array; gopa -- by the cowherd boys; godhana -- and the cows; vritah -- surrounded; yamunayam -- along the Yamuna; nanda-sunuh -- the son of Nanda Maharaja; anaghe -- O sinless lady; tava -- your; vatsah -- darling child; narma-dah -- amusing; pranayinam -- His dear companions; vijahara -- He has played; manda -- gentle; vayuh -- the wind; upavati -- blows; anukulam -- favorably; manayan -- showing honor; malaya-ja -- of (the fragrance of) sandalwood; sparsena -- the touch; vandinah -- those who offer praise; tam -- Him; upadeva -- of the minor demigods; ganah -- members of the various categories; ye -- who; vadya -- with instrumental music; gita -- singing; balibhih -- and presentation of gifts; parivavruh -- they have encircled.
Srila Jiva Gosvami explains that the gopis are again in the courtyard of mother Yasoda, the queen of Vraja. They are trying to encourage her by describing Krishna's return to Vrindavana after He has spent the day herding cows and playing.
Srila Visvanatha Cakravarti comments that the Upadevas, the minor demigods mentioned here, include the Gandharvas, who are famous for their celestial music and dancing.