vividha-gopa-caraṇeṣu vidagdho
veṇu-vādya urudhā nija-śikṣāḥ
tava sutaḥ sati yadādhara-bimbe
datta-veṇur anayat svara-jātīḥ
savanaśas tad upadhārya sureśāḥ
śakra-śarva-parameṣṭhi-purogāḥ
kavaya ānata-kandhara-cittāḥ
kaśmalaḿ yayur aniścita-tattvāḥ
vividha -- various; gopa -- of cowherds; caraneshu -- in the activities; vidagdhah -- expert; venu -- of the flute; vadye -- in the matter of playing; urudha -- manifold; nija -- of His own production; sikshah -- whose teachings; tava -- your; sutah -- son; sati -- O pious lady (Yasoda); yada -- when; adhara -- upon His lips; bimbe -- which are like red bimba fruits; datta -- placing; venuh -- His flute; anayat -- He brought forth; svara -- of musical sound; jatih -- the harmonic tones; savanasah -- with a variety of low, high and middle pitches; tat -- that; upadharya -- hearing; sura-isah -- the principal demigods; sakra -- Indra; sarva -- Siva; parameshthi -- and Brahma; purah-gah -- headed by; kavayah -- learned scholars; anata -- bowed; kandhara -- their necks; cittah -- and minds; kasmalam yayuh -- they became bewildered; aniscita -- unable to ascertain; tattvah -- its essence.
The words tava sutah sati, "your son, O chaste lady," clearly indicate that at this point mother Yasoda is among the young gopis as they earnestly describe Lord Krishna's glories. According to Srila Visvanatha Cakravarti, among the demigods led by Sakra (Lord Indra) were Upendra, Agni and Yamaraja, among those led by Sarva (Lord Siva) were Katyayani, Skanda and Ganesa, and among those led by Parameshthi (Lord Brahma) were the four Kumaras and Narada. Thus the best collective intelligence in the universe could not definitively analyze the enchanting musical arrangements of the Supreme Lord.