taḿ nartum udyatam avekṣya tadā tadīya-
gandharva-siddha-muni-cāraṇa-deva-vadhvaḥ
prītyā mṛdańga-paṇavānaka-vādya-gīta-
puṣpopahāra-nutibhiḥ sahasopaseduḥ
tam -- Him; nartum -- in dancing; udyatam -- engaged; avekshya -- taking note of; tada -- then; tadiya -- His servants; gandharva-siddha -- the Gandharvas and Siddhas; muni-carana -- the sages and the Caranas; deva-vadhvah -- the wives of the demigods; pritya -- with great pleasure; mridanga-panava-anaka -- of various kinds of drums; vadya -- with musical accompaniment; gita -- song; pushpa -- flowers; upahara -- other presentations; nutibhih -- and prayers; sahasa -- immediately; upaseduh -- arrived.
When the demigods and other residents of higher planetary systems became aware that Lord Sri Krishna was personally putting on a wonderful demonstration of the art of dancing, they immediately came to offer their services. Dancing becomes more enjoyable and beautiful to watch when it is accompanied by expert drum-playing, singing and the chanting of prayers. The artistic atmosphere was also enhanced by the showering of a multitude of flowers upon Lord Sri Krishna, who was blissfully engaged in dancing upon the hoods of the Kaliya serpent.