Å›acÄ«ra mandire, Ära nityÄnanda-nartane
Å›rÄ«vÄsa-kÄ«rtane, Ära rÄghava-bhavane
ei cÄri á¹­hÄñi prabhura sadÄ 'ÄvirbhÄva'
premÄkṛṣṭa haya, — prabhura sahaja svabhÄva

 Å›acÄ«ra mandire - in the household temple of mother ÅšacÄ«; Ära - and; nityÄnanda-nartane - at the time of ÅšrÄ« NityÄnanda Prabhu's dancing; Å›rÄ«vÄsa-kÄ«rtane - at the time of congregational chanting headed by ÅšrÄ«vÄsa Paṇá¸ita; Ära - and; rÄghava-bhavane - in the house of RÄghava; ei cÄri á¹­hÄñi - in these four places; prabhura - of ÅšrÄ« Caitanya MahÄprabhu; sadÄ - always; ÄvirbhÄva - appearance; prema-Äkṛṣṭa haya - is attracted by love; prabhura - of ÅšrÄ« Caitanya MahÄprabhu; sahaja svabhÄva - natural characteristic.


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ÅšrÄ« Caitanya MahÄprabhu always appeared in four places — in the household temple of mother ÅšacÄ«, in the places where ÅšrÄ« NityÄnanda Prabhu danced, in the house of ÅšrÄ«vÄsa Paṇá¸ita during congregational chanting, and in the house of RÄghava Paṇá¸ita. He appeared because of His attraction to the love of His devotees. That is His natural characteristic.

Purport