nirveda-hará¹£Ädi — tetriÅ›a 'vyabhicÄrÄ«'
saba mili' 'rasa' haya camatkÄra-kÄrÄ«
nirveda-hará¹£a-Ädi — complete despondency, jubilation and so on; tetriÅ›a — thirty-three; vyabhicÄrÄ« — transitory elements; saba mili' — all meeting together; rasa — the mellow; haya — becomes; camatkÄra-kÄrÄ« — a cause of wonder
nirveda-harshÄdi - tetriÅ› a 'vyabhicÄrÄ«'saba mili' 'rasa' haya camatkÄra-kÄrÄ«nirveda-harsha-Ädi - complete despondency, jubilation and so on; tetriÅ›a - thirty-three; vyabhicÄrÄ« - transitory elements; saba mili' - all meeting together; rasa - the mellow; haya - becomes; camatkÄra-kÄrÄ« - a cause of wonder
“There are other ingredients, beginning with complete despondency and jubilation. Altogether there are thirty-three varieties, and when these combine, the mellow becomes very wonderful.
Nirveda, hará¹£a and other symptoms are explained in Madhya-lÄ«lÄ 14.167. The transitory elements (vyabhicÄrÄ«) are described in the Bhakti-rasÄmá¹›ta-sindhu (2.4.1—3) as follows:
athocyante trayas triá¹Å›ad- bhÄvÄ ye vyabhicÄriṇaḥ
viÅ›eá¹£eṇÄbhimukhyena caranti sthÄyinaá¹ prati
vÄg-aá¹…ga-sattva-sÅ«cyÄ ye jñeyÄs te vyabhicÄriṇaḥ
sañcÄrayanti bhÄvasya gatiá¹ sañcÄriṇo’pi te
unmajjanti nimajjanti stÄyiny amá¹›ta-vÄridhau
Å«rmi-vad vardhayanty enaá¹ yÄnti tad-rÅ«patÄá¹ ca te
“There are thirty-three transitory elements, known as vyabhicÄrÄ« ecstatic emotions. They especially wander about the permanent sentiments as assistants. They are to be known by words, by different symptoms seen in the limbs and in other parts of the body, and by the peculiar conditions of the heart. Because they set in motion the progress of the permanent sentiments, they are specifically called sañcÄrÄ«, or impelling principles. These impelling principles rise up and fall back in the permanent sentiments of ecstatic love like waves in an ocean of ecstasy. Consequently they are called vyabhicÄrÄ«.â€
