आलोल चन्द्रक लसत् वन माल्य वंशी
रत्नान्गद प्रणय केली कला विलासम् ।
श्यामं त्रिभङ्ग् ललितं नियत प्रकाशम्
गोविन्दम् आदि पुरुषं तमहं भजामि ॥ ३१ ॥
ālola-candraka-lasad-vanamālya-vamśī-
ratnāṅgadaṁ praṇaya-keli-kalā-vilāsam
śyāmaṁ tri-bhaṅga-lalitaṁ niyata-prakāśaṁ
govindam ādi-puruṣaṁ tam ahaṁ bhajāmi
ālola - swinging; candraka - with a moon-locket; lasat - beautified; vana-mālya - a garland of flowers; vamśī - flute; ratna-aṅgadam - adorned with jeweled ornaments; praṇaya - of love; keli-kalā - in pastimes; vilāsam - who always revels; śyāmam - Śyāmasundara; tri-bhaṅga - bending in three places; lalitam - graceful; niyata - eternally; prakāśam - manifest; govindam - Govinda; ādi-puruṣam - the original person; tam - Him; aham - I; bhajāmi - worship.
In the śloka beginning with cintāmaṇi-prakara the transcendental region and the spiritual names of Govinda, in the śloka beginning with veṇuṁ kvaṇantam, the eternal beautiful form of Govinda and in this śloka the amorous pastimes of Govinda, the embodiment of His sixty-four excellences, have been described. All the spiritual affairs that come within the scope of description in the narration of the ecstatic mellow quality (rasa) are included in the spiritual amorous sports of Govinda.